Isobar has published a white paper explaining how brands can leverage Headless Commerce to create experiences across an entire ecosystem of touchpoints. Using the Headless Commerce approach enables brands to build long-term customer relationships and deliver sustainable business growth.
Authored by the Isobar UK and Global team, the white paper makes the argument that the reconfiguration of legacy systems can support the functional, emotional and tangible needs of a customer experience. It explains how the Headless Commerce approach provides brands with greater control over the UX, giving them a consistent identity across an entire ecosystem of touchpoints, and a foundation to create long-term customer relationships that can deliver sustainable business growth.
Vikalp Tandon, Global Chief Technology Officer, Isobar, said, “One of the biggest challenges in the experience economy for brands is to engage consumers at every touchpoint across an ecosystem. This goes beyond serving the right content at the right time, it originates in the brand’s technology infrastructure that powers their digital presence. The Headless Commerce approach allows brands to deliver a truly customer-centric experience at speed and scale which is key in today’s landscape, and moving forward.”
The white paper covers:
– The context behind the emergence of unified commerce experiences
– The opportunities of the Headless Commerce architecture model
– A Customer Experience Framework
– The limitations of conventional architecture approaches (Monolithic architecture)
– The opportunity for immersive experiences through rich content approaches
– How Headless Commerce provides brands with a centralised view of customer data
– The requirements of a Headless Commerce strategy & what the future holds
The white paper was authored by Mustafa Rashid, Isobar UK Head of Emerging Technologies, and Vikalp Tandon, Isobar Global Chief Technology Officer.
Isobar has an innovation NowLab, where our team is exploring and pushing the boundaries of emerging technology. About a year ago, the NowLab held an office-wide VR hackathon. The team competing on behalf of the Boston office didn’t include a Developer. We chalked it up to a win because they were able to focus on the idea, rather than the limits of technology. Following that, we collaborated with Microsoft’s Mixed Reality Capture Studios, Viacom and Tiltbrush artist, Danny Bittman to produce Aeronaut, a Virtual Reality music video for William Patrick Corgan’s latest single (a.k.a Billy Corgan from the Smashing Pumpkins). For this effort, Isobar was a finalist at the MITX Awards (Massachusetts Innovation & Technology Exchange) in the Best AR, VR or Mixed Reality Application category.
The Boston-based award show, in its 22nd year (!), shines a bright light on innovation and technology pioneers. Amy Quigley, President of MITX, was impressed by the overall diversity in entries this year: “We are seeing amazing ideas coming from a variety of verticals, including financial services and healthcare. Brands and agencies are pushing what is possible creatively, and as a result consumers are winning.”
We uncovered an interesting dichotomy of emotions surrounding the future of tech innovation in Boston. While there’s excitement about the future and all its possibilities there’s also some question about how the growth will impact folks individually. Some may question, “Growth is good overall, but is growth good for me?” or “Will we become like everyone else?” and “Am I still special and will this limit my potential?” One thing is certain, attendees felt strongly that by working together – collaborating and empowering one another – the future of technology and innovation in Boston will be bright.
Steve Myers, Vice President at Isobar (and Boston-based ad guy for 25+ years), shared his thoughts on the topic: “Given the growth we are experiencing, I’m hoping that as an industry we will look ‘inward’ and leverage all of this amazing thinking to help solve for the challenges we’ll face as the population and footprint of our city continues to grow.”
In Boston, innovation isn’t a novelty. It’s the norm. The results of the MindSight study prove that we as an industry are not shying away from this, but rather embracing this exciting future. At Isobar we believe the toughest questions are best answered with collaboration and creativity.
The creative process has always intrigued me. What is creativity? Why do certain people possess more creativity than others? Why has it nothing to do with academic excellence? Why is it not recognized by higher instances?
Creatives have a capacity to solve problems that present themselves in unique ways.
Creativity itself is nicely illustrated by the Jackson test. Give someone ten paperclips and an indefinite amount of time and ask him or her to create a maximum amount of different things.
In the case of the Jackson test, the limits and constraints are evident: 10 paperclips, an endless amount of time.
One dimension that is often neglected is the context. Will the person respond differently when the situation causes stress or comfort? When the situation presents itself in the eighties or in 2018?
The answer is of course, no.
The tools, cultural references, education, all have an obvious impact on the creative response.
Ousamma Amar told me something that stuck with me over 2 years ago, when I was at ‘The Family’, it stated: “A start-up with potential doesn’t grow on a single idea, it always starts out from a problem”
I couldn’t agree more: An entrepreneur solves a problem with the tools at his disposal, his knowledge and understanding of his ecosystem and by commercializing his idea on a large scale.
The entrepreneur is in essence, creative.
The enormous wave of start-ups over the last couple of years, is also due to the rise of the digital age, which presents a context of a plethora of opportunities.
With this new context, come new tools and new boundaries that set a whole different array of new rules.
Those new perspectives and immeasurable unexplored areas open up a brand new creative community.
The lesson that I learned form Oussama Amar resonates even louder today, when I placed it in parallel with the words by Olivier Sebag (Ex CEO Marcel, CEO Isobar France) when he responded to a question during an interview from “La Reclame”. The question asked ‘How would you describe the agency of the future?’, he said:
“The agency of the future is an agency that is run by entrepreneurs.”
The equation becomes pretty straight forward:
Agency of the future => Entrepreneurs => Creatives
In a mutating ecosystem where agility and creativity are privileged tools, this does not only applies for agencies but for all type of company.
The company of the future will be creative or won’t be.
Digital transformation has become a hot topic, with CEOs talking about it every day and allocating significant budget for it in 2018. In the past, most digital transformation initiatives were about high-end and edgy technologies or solutions. However, now Digital Transformation ROI has been validated across many industries, C-Suites are understanding that it is more important to map out the right strategy rather than implementing complex tech solutions.
Let’s take a look from the perspective of branding and marketing. Under the trend of transformation, “Brand” and “Commerce” have gradually merged into one term, “Brand Commerce”, a term to describe the narrowing of the gap between brand inspiration and consumer transaction. The concept of Brand Commerce has become the ‘North Star’ for brand marketers when reviewing and evolving their own work and methodologies.
Take the example of a brand’s entry in to the Chinese market. In today’s climate, the brand will decide on an online and offline channel strategy, and the local brand channel planning teams work together in an agile way for rapid progress. This is the opposite of the linear and separate ways of working in the past.
To be specific, brand positioning in the Chinese market needs to be worked out in response to specific online channel strategies. Online and offline media strategies and campaign planning need to direct data to inform channel planning. When sales begin, media data, sales data and customer membership data needs to be consolidated and analyzed in time for optimizing the next round of brand and commerce strategy. The fast-paced and complicated way of working presents traditional organizations with many challenges.
From my point of view, Brand and Commerce go hand in hand, and have only previously been separated because of traditional ways of working — using digital to reach, communicate and interact with customers in real time.
A great example for this new era is the story of a female entrepreneur, who found out that her company’s reputation was being damaged by other vendors selling fake versions of her products, so she made the decision to invite whoever bought the fake products to store to swap them for genuine products from her company. Not surprisingly, a lot of customers went to the stores. She saved the company’s reputation, won back customers’ hearts and sales grew three times, driven by more store visits.
This story strongly demonstrates the benefit of Brand & Commerce working together. Imagine, if the same situation happened in your company, how long will it take to go through the discussions with the brand team, marketing team, legal team, operation team and channel team?
When developing a digital transformation strategy, is there a way to evaluate how well Brand and Commerce actually work together? This is where the original thinking framework — the Brand Commerce Digital Transformation Matrix — is used as a diagnostics tool for brand and marketing related professionals.
Studying this framework, there are few brands located in area (1) of the matrix nowadays. Most brands are moving toward mid-high level, in terms of digitalisation of brand building or digitalisation of commerce.
Take T-mall’s one-to-one brand commerce ecosystem and seamless experience as an example for type (5) in the matrix.
In terms of digitalisation of brand building, T-mall has been known for being a personalised one-to-one medium (Thousand Faces to Thousand People) on its marketplace. This year, the service has been upgraded to “Unidesk” service, which seamlessly synchronises all of Alibaba’s platform data, such as Alipay, Ant Finance and Cai Niao Distribution, in order to provide integrated services to customers in different scenarios. However, it still has some challenges and sometimes recommends irrelevant products to consumers, such as serving unrelated product categories to a given consumer, again and again.
When talking about the digitalisation of commerce, besides desktop and mobile channels, T-mall celebrates the concept of “new retailing” – such as T-mall automotive mall, shopping mall, self-service unmanned store and mini supermarkets — with the purpose of covering all online and offline touchpoints.
It’s only a matter of time until T-mall excels in omni-channel selling, but personalised interactions need to improve. From my perspective, truly personalised digital interaction is essential in selecting the right scenarios, targeting certain audiences and creating tailor-made interactions. Coca-Cola, for example, created an “invisible” vending machine that only showed itself to couples walking by for Valentine’s Day.
The incredible thing about it is that it could recognise couples, activate vending function and show a huge, romantic ad when necessary, while the whole experience was “invisible” for other passers-by. In addition, the vending machine would ask names of the couples and print them on the bottle, making the drinks unique to each couple.
There are several elements of this case worth considering. The context of Valentine’s Day, that only couples were targeted and the experience of personalising drink bottles. This is a case of a truly personalised customer experience.
So, how can the Brand Commerce Digital Transformation Matrix help find the right path for traditional firms’ digital transformation of brand commerce?
The banking industry is under strict supervision by Chinese financial departments, especially in terms of privacy, and with the increasing complexity of banking services, it is one of the most challenging industries for digital transformation of brand commerce.
As an example, China Merchants Bank made early progress in digitalisation in China. They created a range of differentiated services, such as the visionary VIP systems like Sunflower, to target different segments of customers. The bank also made attempts in marketing automation to support brand experience and reduce costs. Every month when receiving payments, customers would receive an SMS with contact information of tele-marketing representatives, reminding them to grab the opportunity of buying financial products specifically designed for their salaries.
However, the bank has quite a long way to go in enhancing engagement with customers and improving customer experience, so I’d place them in area 4 of the Matrix.
China Merchants Bank has the natural advantage of accessing data of customers with debit and credit cards, including all aspects of life, such as shopping, traveling, transportation and shopping area, shopping timing, etc. Customers’ records of income and expenditure naturally become shopping logs, reflecting all kinds of motivations and needs for shopping and financial management. Such data can be extremely beneficial for brands. How to dig out customers’ needs of next steps via data analysis is the question that brand builders should consider for digitalisation.
For instance, for customers who have purchased flight tickets for traveling abroad on tourism websites, they will be preparing foreign currency and completing budget plan in addition to itinerary planning. There’s so much more to guide customers besides promotion and discount messages. On the other hand, for a customer who constantly faces credit card overdraft, what they truly need is a well-rounded financial management plan instead of more promotional messages on loans and overdrafts. Different customers have different needs — we need to use technology, data and creativity to deliver on these expectations
Looking at China Merchants Bank from the aspect of digitalisation of business operations, its branches and communication channels cover a large area. By trying the services offered on different channels, services are neither consistent nor continuous.
Try opening a credit card at the bank counter of a branch in China. When you finish filling out the forms, the clerk will send them to the headquarters and someone will get in touch at some point. What if the mail never reaches the headquarters? Who should customers look for then? Or try calling the hotline and consult membership-related questions. Only one type of question can be answered per time the call is forwarded, i.e. representatives in charge of member events can only answer event-related questions, and your call has to be forwarded again if you want to ask about member login. Therefore, the level of digitalisation of business operation is in the middle, too.
Of course, a complete analysis of Brand Commerce needs in-depth research from both inside and outside the brand. The best route for development can also vary for different industries and brands, so there is not a one size fits all model to digital transformation.
So what actions can China Merchants Bank take in order to improve the level of digitalisation of brand commerce?
Utilize the consumer data with more flexibility, look into their needs in-depth and explore more possibilities to interact with them with more personalized experiences.
Based on a customer’s personal experience, analyze the business service journey, and prioritize key parts in order to renovate brand experience.
Article by Cecilia Huang, Senior VP of Brand Commerce Consultancy, Isobar China Group.
Unable to attend this year? Don’t worry. Our colleagues from Isobar US had on the ground team and shared an in-depth recap of everything you need to know and look out for in 2018 and beyond.
Another year, another Consumer Electronics Show. Once again, attendees head home with sore feet, sniffles and an outlook of what the next year is going to deliver in terms of new gadgets and larger trends in the consumer electronic marketplace.
The last half-decade has seen a steady progression of devices that have gone wireless and become connected and integrated with other products and services. We’ve seen processors get smaller and faster, screens become bigger and brighter, and memory get cheaper. We’ve witnessed the concept of companion mobile apps for consumer electronics become commonplace. We now have batteries that can outlast a day on the CES show floor and (if not), fully recharge in just an hour. But now, thanks to our friend Alexa, a new battleground has emerged – one for our voices.
Isobar predicts that 2018 will be the year of Augmented Humanity, a year where technology enhances and scales our most human attributes. In 2018, technological interfaces will become more natural and instinctive, technology will automate repetitive tasks to free up time for creativity and compassion, and artificial intelligence will meet emotional intelligence.
Isobar’s innovation and strategy experts from around the world have defined five key trends that explore this evolving relationship between humanity and technology and predict a harmonious future. Augmented Humanity explores the ways in which technology enhances and fuels our most human attributes – the ability to recognise and trust each other, to adapt to changing circumstances and the power to deliver true creativity.
Jean Lin, Isobar’s Global CEO, comments, “Artificial intelligence is great, but humans score on emotional intelligence. The power of being human is in empathy. This cannot be automated or outsourced. Augmented Humanity will use technology to scale everything that is best and most powerful about human interaction.”
The report argues that we may one day view the era of anonymous, one size fits all transactions as a temporary blip in our evolution, and that as technology advances it will become more human, not less. It will return us to a time where voice will be the primary way we interact with the world, where we will be recognised and rewarded in stores, and where we will buy more directly from trusted suppliers.
Isobar’s five key trends for 2018 explore this intersection of technology and humanity, magic and the machine, code and conscience:
1. Body Talk explores the body as an interface, as our eyes and ears replace touching and tapping. 2. Powered by People tackles the shift from customers to communities as technology turbocharges the sharing economy. 3. The Economy of Me looks at the power of AI to deliver ever more personalised products, prices and places. 4. The Ethical Algorithm tackles technology as a force for good; in a world of fake news and algorithm bias is there such a thing as moral code? 5. The Makers and the Machines explores the extraordinary union of art and technology to create outputs we could never before imagine.
Within each theme, Isobar unpicks key sub trends and explores how they come to life today, in the future, and what they mean for businesses and brands right now. The report celebrates the importance of emotion at every touchpoint; in this new landscape it will no longer be enough for technologists to ask “how does it work?” – they need to consider human emotion and drivers and ask “how does it feel?”.
Facebook has launched an exciting new feature called ‘Facebook Camera Effects’, a new tool that allows designers to create effects for the Facebook Camera, ranging from a simple frame to stunning augmented reality experiences.
Facebook has been eyeing the success of Snapchat’s famous lenses and filters, which can be customized for brands, and it’s keen to tap into the potential.
Facebook Camera Effects is not a mere copy/paste though. Similarly to when Instagram adopted the popular ‘stories’ feature from Snapchat, Facebook has made some very welcome changes. The biggest one is that Facebook has essentially made Camera Effects an open platform, leaving out the need for time-consuming review periods or obligatory media costs to host the effect. Thanks to this evolution, Camera Effects are both fast to get out unto the public – we can launch an animated effect within a few days of the briefing! – and easy to create, resulting in greatly reduced development times and costs.
Wanna have some fun? Hit the link (on mobile, duh) for an Halloween example designed by the agency.
This link can then be distributed to any audience with promoted Facebook posts. Once audiences click on the link, they get the option to send a notification to their phone, which will take them directly to the Facebook Camera, featuring the effect.
We’ve tested the feature together with Beiersdorf on Nivea Men and have included a Facebook Camera Effect into their campaign promoting Movember, an initiative where men are encouraged to grow their facial hair to support men’s health. An AR effect was developed allowing users to see how they would look with the coolest ‘stache ever.